bluegrass bbq: niall toner band & gormacha

Geordie McAdam's legacy in the Bluegrass and Traditional music community is profound. He was not only a talented fiddler but also a master craftsman who made and repaired musical instruments. His passion for music was evident in his performances and he played a significant role in Bluegrass Omagh at the Ulster American Folk Park. McAdam's influence extended beyond music, as he was known for his engaging personality and his ability to connect with the audience. His contributions to the Bluegrass scene in Omagh and beyond are remembered with great respect and admiration. Get in touch to book a 30-minute performance slot from 12noon to 5pm (subject to availability) on the Geordie McAdam Open Mic Stage.

Niall Toner Band hails from the Blackstairs mountain region of Ireland, founded by Niall Toner in 2001. An Irish Bluegrass act, their unique sound is a rich blend of traditional, acoustic Country music and Bluegrass, with a distinctive Celtic twist. You'll hear them play original songs and instrumentals at their next performance!

Niall Toner Band has a diverse set ranging from contemporary, up-tempo Western Swing pieces like 'Mood Swing', to inspirational gospel-style songs like 'Walk on Water', and the haunting Bill Monroe tribute 'The Master's Resting Place'. 

Founder Niall Toner is widely regarded as one of Ireland's leading experts on Bluegrass and American Country music. He brings this knowledge of music through his live performances, various workshops and his radio shows. Niall's songs have been recorded by many artists including Bill Wyman [Rolling Stones], The Nashville Bluegrass Band, Albert Lee, Special Consensus, Keith Sewell, The Swanson Family, The Fleadh Cowboys and more. Niall's lifetime contribution to the wider World of Country Music was honoured by the CMA in Nashville in 2003, when he was nominated for a Global Artist Award.

Gormacha play Gospel and Blues songs dating from the golden era between the mid-1920s and mid-1930s.  Dermot Rooney was described by The Irish Times music critic as "as astounding bottleneck blues guitarist" whose "playing is marked by a modesty and attention to the fine detail that sets him apart."